Mississippi from Cape Rock

What a difference a few months makes. On April 30, 2011, the Mississippi River gauge at Cape Girardeau read 45.2 and rising. The flood stage in Cape is 32 feet.

When Mother and I drove out to see the new Main Street bridge, we decided to jog over to see Cape Rock. As soon as we went around the curve past the water plant’s goldfish pond, we could see a huge sandbar shining back at us. Barges are going to have to really hug the west channel to make it around the bend at Devil’s Island. (Click on the image to make it larger.)

Capaha Pool All Washed Up

OK, that’s a bad pun, considering that the Capaha Park Pool is nothing but grass and memories these days. This single frame of some guys washing down the Capaha Park Pool was in with some stuff dated 5/1966, so I’m assuming that they were getting ready to fill the pool for the summer season.

I asked Wife Lila, a former lifeguard, if she recognized the guys, but she couldn’t put names to faces. Terry, Jacqie, can you ID them?

Other pool photos and stories

Esquire Gets New Life

The Esquire Theater, 824 Broadway, may not turn into a parking lot after all. John Buckner, the building’s new owner, has announced plans to spend up to $2.4 million to renovate the 67-year-old building as an art-house theater. (Click on any photo to make it larger.)

New owner like a kid with a toy

Buckner is tackling the project with a lot of enthusiasm and a healthy dose of fun. He couldn’t wait to get a message on the marque, even though a cold front was moving in and dropping lots of chilly rain down his collar.

The place is a mess

The Esquire closed as a motion picture house Oct. 7, 1984, with a showing of Purple Rain. After that, it tried to be a second-run movie theater; a teen club; a gospel music theater, and ended up a repository for junk, including the set from the Tom Hanks movie, The Green Mile.

This photo, taken from the projection booth, gives only a hint of the clutter. Wife Lila’s brother, John Perry, is helping Buckner clean out the accumulated stuff so Penzel Construction can begin renovation. He said that the building was crammed so full that they could barely get the lobby doors open.

Tiny concession stand

The concession stand, with the candy counter still showing prices, was much smaller than I remembered. Another thing mis-remembered by me and some of the curious folks who wandered in on Tuesday was a balcony. Most of us would have sworn that the Esquire had a balcony, but it didn’t. The Broadway must have been the only theater of the three on Broadway to have upstairs seating.

(The dishes weren’t used by the theater. They were some of the miscellaneous stuff stored there.)

Short of seating

The theater seated 800 when it opened in 1947. The audience had better have stayed seated in the red upholstered seats because there was a dearth of another kind of seating.

The men’s room had a urinal and a toilet – and you’d better be skinny to use the former – to handle the needs of the audience. Maybe they didn’t serve extra-large drinks in those days.

Esquire stories

  • Scott Moyers did a long piece in The Missourian on plans for the building. I’ll point you there for the details. An accompanying sidebar has a historical timeline of the theater.
  • Missourian photographer Laura Simon made it into the Esquire a day before I did (and went to the trouble of lighting it better) to produce a photo gallery.
  • I ran a collection of exterior photos of the theater in March of 2010 and went into a little of its history.
  • In September 1965, I used infrared flash and film to capture kids watching The Beatles movie Help! It was the first (and only) time I used that technique.

Esquire photo gallery

I prowled from the boiler room in the basement to the projection room high above the viewing area. I discovered the old projectors, boxes of tickets, the plastic marque letters, the 1947 Workman’s Comp placard and a devil’s brew of mold that will either cure anything I have wrong or kill me.

Many of the things I photographed won’t bring back memories because they were just items that were stored there and had no connection with the theater we remember. I’m including them to give an idea of the scope of the project in the before stage and as a reminder of how far the building has come (assuming that the project is completed).

Click on any image to make it larger, then click on the left or right side of the picture to move through the gallery. Please, leave comments. It seems like everyone who walked into the place had a story to share. I wish I had set up a video camera on a tripod to capture those memories.

 

Watching Giant Pick-Up Sticks

Brother Mark wanted to see the Eisleben Lutheran Church in Scott City after we had an excellent lunch at The Piebird Cafe in Fruitland to celebrate Mother’s 90th birthday. After seeing the church, Mother said she thought the road we were on would take us to the river, so we went exploring. When we got to SEMO Port, we came upon a huge mound of logs with a big, yellow LeTourneau pedestal crane presiding over it. (Click on any photo to make it larger.)

 Missouri Fibre turns logs into wood chips

We asked a couple of men working on a piece of equipment near the road, what was going on. They said they worked for Missouri Fibre Corporation, turning scrap wood into wood chips.

“In fact, if you pull up to where that sign is, you can watch the crane operator 90 feet up in the air unload a truck.”

 Like Pick-Up Sticks for giants

We watched the operator scale the big column, get into his “office” and set the crane in motion. He dropped the grapple gently over a stack of logs on a semi, then gradually caused its fingers to wrap around them.

When he was satisfied he had them in his grip, he lifted them off the truck, usually without dropping any, and gave them a ride to the big stack. It was like playing with Giant Pick-Up Sticks. He made it look so easy that Mark commented, “That looks like fun. I could do that all day long.”

 Tim Hart, mill manager

After shooting these frames, I walked back across the road where the wood chips were piled. “What are you doing?” Tim Hart, mill manager for Forbes, asked. His tone was curious, not confrontational. After identifying myself and my mission, we had a friendly and informative chat.

Missouri Fibre takes scrap wood not suitable for lumber and turns it into wood chips and mulch. The chipper is set up to handle wood up to 24 inches thick. “We can actually handle a little larger, but we tell the suppliers 24 inches, knowing that they’ll send us some slightly larger.” This is the big brother to the wood chipper you might see on your street devouring small tree branches.

The crane we were watchng was erected in 2002 at a cost of two million dollars. The operator is sitting about 90 feet above the ground and the boom is about the same length.

 Mill ships about 250,000 tons a year

The wood is a mixture of everything cut locally, but it’s mostly hardwood – oak, cherry, dogwood and ash. Pieces that are too large to run through the chipper are used as firewood.

Tim said the mill ships out 200 to 250-thousand tons of material a year, mostly by barge. “The [2011] flood slowed us down. We couldn’t ship by barge, so we had to use trucks.”

 Ready for more logs

Tim said the Cape mill is the largest the corporation’s half-dozen scattered throughout the state. The demand for newsprint and office paper is down, he said, but an increase in the amount of biofuel needed has helped to offset the drop. The mill employs about six workers for its five-day-a week operation.

It’s pretty amazing what you can run into if you aren’t afraid to go down unfamiliar roads and talk to strangers.