Dick Gregory for President

 

With all of the controversy about whether or not Cape Girardeau’s Rush Limbaugh should be in the Hall of Famous Missourians, I stumbled across a Show Me state resident who deserves a nomination – Dick Gregory. I was looking for something else the other day and stumbled across these photos of Gregory speaking at Ohio University in 1968.

I was surprised to find that (a) he was from St. Louis and went to school at Southern Illinois University and (b) he was still alive.

The Black Mort Sahl

The biography on his website says that he was African American comedian and civil rights activist whose social satire changed the way white Americans perceived African American comedians.

He was part of a new generation of black comedians that includes Nipsey Russell, Bill Cosby and Godfrey Cambridge. They broke with the minstrel tradition, which portrayed blacks as stereotypes.

Gregory, who had a dry, satirical wit, came to be known as the “Black Mort Sahl.” (Friends of Gregory would refer to Sahl as “the White Dick Gregory.” I was fortunate to cover Bill Cosby when he played Ohio University at about the same time.

Nigger” was best-seller

I bought his autobiography, Nigger, when it was published in 1963 (when it was on its way to becoming the number one best-seller in the country), but I never felt comfortable walking around with the cover showing, even though he explained in his forward that he had written a note to his mother saying, “Whenever you hear the word ‘Nigger,’ you’ll know they’re advertising my book.”

Routine impressed Hugh Hefner

He got one his earliest breaks when Hugh Hefner heard him perform this routine in front of a mostly white audience when he had been brought in as a last-minute replacement:

Good evening ladies and gentlemen. I understand there are a good many Southerners in the room tonight. I know the South very well. I spent twenty years there one night.

Last time I was down South I walked into this restaurant and this white waitress came up to me and said, “We don’t serve colored people here.” I said, “That’s all right. I don’t eat colored people. Bring me a whole fried chicken.”

Then these three white boys came up to me and said, “Boy, we’re giving you fair warning. Anything you do to that chicken, we’re gonna do to you”. So I put down my knife and fork, I picked up that chicken and I kissed it. Then I said, “Line up, boys!”

His temporary gig at the Chicago Playboy Club lasted three years.

Gregory changed my career

I was covering the event for The Ohio University Post. Much to my surprise, I got a call from The Athens Messenger, the local paper, asking if they could run my photo taken of Gregory while he waiting to go on. It was a surprise because I had seen photographer Bob Rogers at the press conference earlier that day, and I assumed that he must have covered the speech as well.

See, newspapers HATE to pick up something from a competitor. Now, The Post was the university student newspaper and The Messenger was the “real” paper, so we weren’t exactly competitors, but I always looked to see how I had stacked up against Bob or Jon Webb when we had been at the same event.

I was flattered that they wanted the art, so I offered it up quickly. I think that’s probably what led to them offering me an internship that summer. When they couldn’t find anyone who would work as long, hard (and cheap) as I would, it turned into a full-time job. When Bob moved on, I became chief photographer.

 Write-in Candidate for President

Gregory ran for president in 1968  as a candidate of the Freedom and Peace Party, a splinter group of the Peace and Freedom Party. His button reads, “Write in Dick Gregory President for Peace in ’68.”

I guess I can add him to the list of presidents and presidential candidates I’ve covered.

Standing ovation

Gregory’s speech was well-received by the mostly white audience. Even though I was busy shooting the event from a multitude of positions, I heard enough to be impressed by the way he managed to get his point across without stabbing anyone with it.

I think he opened some eyes that evening. Most of us hadn’t heard that perspective before.

This site has an interesting collection of Dick Gregory quotes. In some he’s funny; in others he’s ironically angry; in others, he’s thought-provoking.

Interesting body language

I didn’t notice it when I edited the film in 1968, but take a look at the photo gallery. There’s an interesting contrast in body language between the white students and the black students at the afternoon press conference.

I see a lot of crossed arms and furrowed brows. I’m not sure the black students were as receptive to Gregory’s message as the white students.

Dick Gregory Photo gallery

I included a bunch of press conference photos in the gallery to show some of the folks I worked with in those days: Bob Rogers, Tom Price, Ed Pieratt and some radio and TV guys who look familiar (but we print guys didn’t bother pay much attention to them). Click on any photo to make it larger, then click on the left or right side to move through the gallery.

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John Glenn Runs for Senate

It’s been 50 years since John Glenn made his trip around earth in the Friendship 7 Mercury spacecraft. Eight years later, he was brought to earth in a different way when he failed to win the Ohio Democratic nomination for the U.S. Senate. He lost to Howard Metzenbaum, who lost to Robert Taft, Jr., in the general election.

These photos were taken when he was campaigning in Athens, Ohio, in 1970.

The Gold Star Mothers speech

Glenn and Metzenbaum faced off again in 1974. Metzenbaum contrasted his strong business background with Glenn’s military and astronaut credentials, saying his opponent had “never worked for a living.”

Glenn’s reply came to be known as the “Gold Star Mothers” speech. He told Metzenbaum to go to a veterans’ hospital and “look those men with mangled bodies in the eyes and tell them they didn’t hold a job. You go with me to any Gold Star mother and you look her in the eye and tell her that her son did not hold a job.”

Began Senate career that lasted until 1999

After besting Metzenbaum in the primary, he beat his Republican opponent and held the Senate seat until 1999.

John Glenn photo gallery

Missourian photographer Fred Lynch’s blog had a photo of John Glenn campaigning for Robert Kennedy in Cape in 1968. I didn’t shoot Glenn there, but I did snag these photos of the astronaut two years later. Click on any photo to make it larger, then click on the left or right side of the image to move through the gallery.

 

 

 

Turtles, Frogs, Dogs and Desperation

A question that comes up from time to time is where do you find inspiration and story ideas?

The short answer “desperation.”

There was this big monster in the pressroom that had to be fed every day. I thought I had put The Monster behind me, but I’m filing more stories doing this blog than when I working for newspapers. When you’re doing feature-type stories, you can’t rely on plane crashes, fires and floods to bail you out. You have to dig up topics out of the thin air. Here’s an example of  how ideas pinball all over the place, and rarely in a straight line.

I was looking at some random negatives from Cape when this turtle caught my eye. This was a Steinhoff pet from back in the days when we were made of tougher stock. We didn’t know then that the tiny turtles, available in plastic bags at the SEMO Fair or in every pet store, were death on the half shell. Don’t believe me? Check out this FDA warning about Salmonella-bearing tiny turtles. (Click on any photo to make it larger. Don’t forget to wash your hands if you touch the turtle.)

But, like they say in the infomercials, there’s more. A turtle made me think of a frog.

Pomeroy Frog Jumping Contest

Athens (OH) Messenger photo partner Bob Rogers and I would make contact sheets of our film, cut out the frames we thought would make a photo essay, push them around on a layout sheet until they looked right, size them to fit and make the final prints. The “winners” would be taped to the layout sheet to guide the composing room in making up the page. The “losers” would either get tossed in a box or, if we thought they might fit into a future layout, they’d get tacked on the wall.

After I covered the Pomeroy Frog Jumping contest toward the end of June, 1968, I had one photo that made it on the Wall of Desperation. It languished there until October 1. The well was dry. Some days you just can’t find anything worth shooting. I reached up on the wall, ran the photo 8-1/8 inches wide and 12-3/8 inches deep with this cringe-inducing caption:

“Frost is just a frog’s hop away, so don’t let winter get the jump on you. Don’t let being bottled up until spring jar you, though; about the time it seems a long time coming, warm weather will spring out.”

Bob, my nominal boss, didn’t give me any grief. He’d been there himself.

October 2, the day it ran, seemed to be a good day to stay out of the office. The publisher gave us a lot of latitude, but I didn’t want to discover his outer limits.

Another dry day

There’s a reason why I bring up the frog, as much as I’d like to forget it.

I was having another one of those dry days. Nothing was clicking. I shot a sequence of a boy trying to make it home on his bike with a loaf of bread under his arm, but the situation was so weak I didn’t even bother to get out of the car to get the kid’s name.

Mrs. Nellie Vess

The shadows were getting longer and longer and the day was getting shorter and shorter. This time I didn’t even have the frog on the wall to plug the hole. I made a turn down a dusty gravel road near Trimble. That’s east of Nelsonville and south of Glouster. If you don’t know where those towns are, don’t look for Trimble.

I spotted Mrs. Nellie Vess, a couple of kids and a puppy on the porch of a modest frame house with asphalt shingle siding. The home had seen better days, but it was still neat and clean.

After introducing myself and chatting for a few minutes, Mrs. Vess invited me in for a cold glass of water. I normally don’t accept things when I’m on an assignment and I really wasn’t thirsty, but turning down the water would have hurt her feelings. I followed her through her well-kept house to the kitchen.

Taped up on the refrigerator was The Frog. “I just love that picture,” she said.

“Lonely no more”

“Lonely No More” was the headline I put on the page. My caption was sparse: Mrs. Nellie Vess was lonely. Not many people passed by her home in Trimble and those who did seldom stopped in to chat. That was before last week when Patty Sue – part beagle and part question mark – moved in.  “Now I’ve got lots of company,” she says. One of her frequent visitors is Rhonda Kay Judson, 5.

Stories should have a happy ending

Don’t you just love heart-warming stories with happy endings? It’s too bad that too many don’t turn out that way.

A few months after the story ran, my travels took me down that gravel road near Trimble. Mrs. Vess was sitting by herself on the porch. There was no Patty Sue. There were no neighbor kids. Mrs. Vess told me that she had to go into the hospital for a brief stay and she had to give Patty Sue away. She was lonely again.

I’d like to tell you that I stopped by to see Mrs. Vess to keep her company from time to time, but I’d be fibbing. I never saw her again. I was just starting to learn that getting emotionally involved with everyone I photographed would soon empty my empathy pot and lead to burnout or worse. I could empathize with my subjects long enough to capture their souls, but then I had to cut them loose.

I turned down her offer of a cold glass of water on the last visit. And, I didn’t look in the rearview mirror when I drove away down that dusty gravel road.

 

 

A Home Dies

I hate fires. Maybe it’s because I’m a pack rat, but I hate to see everything that someone owns go up in smoke and flames. Even if the owners have insurance, the most precious things can’t be replaced.

I’m going to be sneaking away from Southeast Missouri more frequently. The Lutheran Heritage Center and Museum in Altenburg has invited me to speak on the topic of regional photography at a conference this fall, so I’m digging through stuff that I’ve taken outside Missouri. When I publish here, I’ll try to find something to say about it that will still be interesting.

The Reid Fire

The January 6, 1969, front page of The Athens (OH) Messenger contained the fire shot at the top, along with a short news story with the 5Ws and H basics. On what we called The Picture Page, I ran three other photos.

A Home Dies

Sometimes it’s harder to write a short caption that it is a long one. I hate to think of how many times the floor around my desk was covered up with wadded-up carnations of false starts.

This wasn’t one of those nights. When I got back to the office, I slid a piece of copy paper into our battered old manual typewriter and banged out, “The Reids watched their home die last night. A man at the fire said nobody was hurt. He was only partly right. -30-“

I don’t know if that was good journalism, but it was how I felt sitting there smelling of smoke and still shivering from the cold, grateful that I had a house to go home to.

How do you cover a fire?

Hang around a fire station long enough and you’ll hear a firefighter use the term “good fire.” He or she doesn’t mean that they enjoy seeing someone’s home or business burn. What they mean is that “a good fire” is one that tests them and their abilities.

Photographers use the same language. That doesn’t mean that you don’t ache for the people you are photographing; it just means that you have to channel that empathy towards creating an image that will bring that tragedy home to the reader. You exist in a strange gray area where you aren’t a spectator, but you also aren’t a participant. You are the eyes of the community.

I tried to be as unobtrusive as possible. In this case, I shot available light so I wasn’t popping a flash in their faces and I used a medium telephoto lens so I could stay back 15 or 20 feet.

“I was busy trying not to die”

I tried to salve my conscience by telling myself that my photographs might cause the community to rally to the family’s aid. After the fact, I’ve talked with victims of tragedies to see if my presence caused them any distress.

I photographed a highway patrolman being worked on by medics after he had been shot at a traffic stop, then I requested the assignment to cover his recuperation. On our first meeting, I took along a photo of him on the ground. “Did it bother you when I took this photo?” I asked him.

“Actually, I was so busy trying not to die that I didn’t even notice you were there,” he said with a twist of a smile.

A salute to the chimney savers

Small rural fire departments made up mostly or all of volunteers are sometimes called “chimney savers” because that’s often all that’s left at the end. That’s not the fault of these guys who put their lives on the line. By the time the volunteers get to the station, crank up the truck and arrive on the scene, a lot of time has passed. The three and four-minute response times we’re used to in cities might be 15 to 30 minutes in the country. On top of that, it’s unlikely that there will be a fire hydrant nearby. Water has to be relayed from where there is one or a pond or stream has be be drafted for a water supply.

If I got there about the same time as the truck, I’d set my camera aside to help the firefighters pull hose and get set up. Part of that was so they’d be more likely to help me get my story and photos; part of it was because that’s what you do in a small town. I also served as an extra set of eyes for them. Because I wasn’t actively involved in squirting wet stuff on red stuff, I could warn them of power lines, signs of a flashover or a wall or roof that looked like it might collapse.

Photo gallery of a fire

Here’s a selection of photos from that cold January night. It’s been 43 years since I last looked at these pictures. I see things in them today that I didn’t see when I edited the film originally. After I had made my selection of the two family photos that ran in the paper, I tuned out the other frames. I didn’t realize until 2012 the range of emotions I had captured.

I’m glad I’m not chasing sirens anymore. It’s been a long time since I’ve used the phrase “good fire,” too. Click on any photo to make it larger, then click on the left or right side of the image to move through the gallery.