Earth Day 2010

Warning: non-Cape, obligatory Earth Day content follows.

When I was working for The Athens (OH) Messenger, I had to produce five photo essays a week. We called it The Picture Page, but it was really a 9×17-inch hole that was given to the photographers to fill during the weekdays. We had to find the subject, shoot it, write a minimal amount of copy and lay it out ourselves.

Deadline was 10 a.m. and I was sucking air. I didn’t have a clue how I was going to fill the space. I didn’t want to be the first photographer to end his career at The Mess by having a 9×17-inch blank space mark his professional obituary.

Please, let there be a picture out there

With the clock clicking down, I was frantically driving around hoping SOMETHING would catch my eye.

Suddenly, this tree popped out of the fog. I knocked off a couple of frames before the light changed, then blasted back to the darkroom. I needed to cut corners, so instead of spending seven minutes using film developer, I used paper developer, which produces more grain and contrast, but only took two minutes. Serendipity kicked in and the technique made the photo better instead of worse.

This and another photo of the park got me off the hook for yet another morning. It turned out to be one of the most popular photos I took in three years at the paper.

Hocking River flood control took my tree

About six months later, I went back to the site to shoot this photo. A flood control project to reroute the Hocking River was going right over my tree. This was the result.

Hokey Poem #22

I was flattered when Carol Towarnicky, a reporter I worked with at The Ohio University Post, wrote Hokey Poem #22, which said, in part,

. . . consider the man.
who records the land.
low-key, like the hills.
gentle, like those who
who dot the country side.

familiar, calm.
he grabs his camera,
squints, clicks, moves on,
nonchalantly.

who ridicules the thought
of an “eternal message,”
yet mourns the passage
of a tree.

I’m sure CT (I called her that because Towarnicky was a mouthful, even for someone with a name like Steinhoff) was rushing to meet a writing class deadline like I was trying to fill a hole on just another work day, but I still hold on to that tree photo and Hokey Poem #22. It’s funny how something seemingly insignificant can mean so much.

The First Earth Day

My  photo of an abandoned strip mine in southern Ohio ran on the front page of The Athens Messenger on the first Earth Day. You can read the whole story about the picture here.

Snake Hill Untwisted

Negotiating the sharp turns and steep grades of  Snake Hill was a rite of passage from the time it was built in the 1930 until 2003. The Cape Special Road District decided to fill in a ravine and straighten out a sharp curve in the road to make the road safer and to make road maintenance easier.

I can see where the less twisty road would be easier to deal with when it’s icy, but I would bet that speeds are a lot higher on the new road than the old one.

Google Earth Mar. 22, 1996

Google Earth June 28, 2009

The Spring on Bloomfield Road

When we were driving past the castle called Elmwood, my mother wondered if a spring she remembered as a little girl was still there.

I had heard her talk about it years and years ago, so I thought I knew approximately where it was alongside Bloomfield Rd. I parked my van at Kensington Lane and walked north, back toward the curve in the road leading to Cape.

This view, by the way, is the reason Bloomfield Rd. SHOULDN’T be widened. There should be some roads left that let us appreciate what the area was like before it became paved over. If the road isn’t fast enough for you, then don’t move out there. Ditto Route W. OK, rant off.

Just south of the big tree that’s shown in the photo above and on the west side of the road, I saw a small rivulet of water running toward what used to be the Elmwood estate.

Water boils mark the spring

I didn’t see a pipe running under the road that would account for the stream. When I looked at the pool through a polarizing filter on my camera, I could see beneath the reflections on the water’s surface.

Those black circles mark where water is boiling up out of the bottom of the pool.

I had found my Mother’s spring

“My Grandmother – my Mother’s Mother – Mary Adkins, would always buy some kind of pan at the dime store every time we came to Cape from Advance. On the way back, we’d stop at that spring and dip out a drink in the new pan. She died in 1938, when she was 75 years old, so that was quite a few years ago,” my mother, Mary Welch Steinhoff, recalled.

“I don’t remember what kind of car we had – it was before Model T days. Mother (Elsie Welch) would usually come along; Grandmother would drive. Dad (Roy Welch) never liked to drive.”

Did you stop for a drink on the way TO Cape?

“No, we didn’t have a pan on the way TO Cape.”

“Didn’t you ever think about bringing one along?” I asked?

“No, I guess she wanted a new pan and this was always an excuse to get one.”

View of spring looking south

That white fence marks what used to be the Elmwood property. I don’t know if this is in the 900 acres that were sold for the Dalhousie Golf Club or if it’s part of the 70 acres retained by the estate.

Map showing spring and Elmwood


View Bloomfield Spring & Elmwood in a larger map

Don’t Stare at My Mother’s Arm

Liberty with the truth warning: there may be some parts of what you read next that might not exactly be lies, but they stretch the truth to the point of snapping. [The story was originally written to promote the Convention Bureau’s Storytelling Festival.]

What’s the matter with her arm?

Mother couldn’t figure out why my brother Mark’s friends always looked at her funny. They’d appear to be staring, then glance away quickly when she looked at them.

She found out later that Mark had told them, “Don’t stare at my mother’s arm, she’s self-conscious about it.”

“What’s the matter with your mother’s arm,” they’d ask.

It’s a long story

Here’s how he tells it in (mostly) his own words:

After Dad died and all of us boys scattered all over the country, Mother got a little lonely. She was okay financially, but she wanted to do something a little different to keep busy, something that would let her see the sights, be around other people and make herself feel useful.

She was a cook on a riverboat

She decided to work as a cook on a towboat, The Robert Kilpatrick. She worked 20 days on and got 20 days off.

She had her own small utility boat that was kept on the barge on a hoist.  When she  ran low on supplies, she would have the captain radio ahead to the nearest town and give them the “grocery list.”  As they came close to the town, they would lower her boat into the water. She would take off, load up the supplies (the store would meet her at the river with them), and then she’d floor it to catch up with the tow.

One day as the tow was being broken up and put into the lock and dam (modern day tows now “push” as many as 30 barges at a time and dams/locks were not designed to accommodate more than eight at a time, two abreast),  she decided she wouldn’t launch her own boat, she’d stay with the tow. She was getting ready to climb a steel ladder from the the barge  to the top of the lock so she could board a waiting cab to go into town for the supplies when something went terribly wrong.

Tragic accident took her arm

Suddenly the barges shifted in the lock and her arm was caught between the edge of the barge and the concrete dam wall. It pinched it clean off at the elbow.

Tragic, yes, but not enough to keep our mother down.  No  sir.  In fact, some of the guys in the machine shop – the burly  guys who ate steak for breakfast and kept the massive engines working  down below – fashioned her a couple of custom “snap on” tools that were a little more functional than the basic hook that was all insurance would cover.

One was a spatula that could easily turn extra large omelets (and used to scrape the grill to keep food from sticking to it); the other was a meat fork with three tines.  Two tines faced the the same direction so she could pick up meat from the grill, and one tine was bent 90 degrees in the other direction, so she could open and close the oven doors with it.

OSHA said somebody’s gonna get an eye poked out

OSHA thought the custom tools created a hazard to workers who might get impaled if the boat hit rough water and caused her to stumble, so she quit rather than kowtow to bureaucrats.

She became a Happy Hooker

Her next job was working for the city of Cape Girardeau as a wrecker driver.  She drove a tow truck all over town looking for scofflaws who had outstanding parking tickets so she could impound their vehicle.  Nobody ever tried to  stop her after she raised her artificial arm and clicked her custom tool fingers at them like mad magpies.

Prosthetic technology progressed to the point where she decided to give up the hook and custom attachments for an arm that was covered in soft plastic that was almost lifelike. The doctors did a great job of matching her skin tone, too.

She got so she’d play along

When Mark’s friends threw him a surprise 50th birthday party, Mother, Son Adam and I showed up. When she noticed some of the guests giving her arm a quick glance, she pulled her hand up into her sleeve so it looked like she had left her prosthesis  at home.

“You can’t take that slot machine”

Storytelling is in our genes.

My mother’s family owned several businesses in Advance at one time or another. One was a tavern that had a few slot machines to bring in some extra (if illegal) income. Her parents had to leave one afternoon and left her in charge. She was all of about 13 years old.

It must have been an election year, because the place suddenly filled with law enforcement officers who were going to confiscate the slot machines as being illegal gambling devices. Mother knew that one of the machines was full of money, so she stood up to the sheriff and said, “You can’t take that one. It’s broken. If it doesn’t work, it’s no more a gambling machine than that bar stool.”

They left it behind.

Don’t forget the Storytelling Festival

If you made it all the way down here, you must appreciate tall tales. When this story was first published, you could click on the photo below, which would take you to the Convention Bureau’s Storytelling Festival website. I had optimistically written, “It’ll help me convince the convention bureau folks that this would be a great place to advertise, and it’ll set you up for a weekend that sounds like a lot of fun.” It might have done the latter, but the former never happened.