Picture Day at Hollister School

Missourian photographer Fred Lynch left a comment on my post about Paul Lueuders showing up at Central High School to take homeroom photos for the Girardot: “When I was in high school, I always liked working alongside a group photographer. I would take pictures of the kids ‘getting ready’ to be photographed when they didn’t think anyone was watching, or taking their picture.”

That got me to thinking about this picture page I did for The Athens Messenger November 8, 1968. The original assignment was to go to Hollister School to capture kids being vaccinated or something, but it turned out that local studio photographer Ralph Norris was there to shoot student photos, so I switched gears.

Once you got out of the Ohio University-dominated Athens and out into the county, you were in Appalachia, where poverty and worked-out coal mines were found down every back road. When I see people walking down the street sporting “Hollister” labels, I have a different picture in my mind than they do. (Like always, you can click the pix to make them bigger.)

Slicked-back hair and shiny faces

Like Fred wrote, it was fun to sit back and watch Ralph work with the kids. He had a gentle touch and put the children at ease. He wasn’t the master photographer Paul Lueders was, but he was a decent craftsman who had been doing his job for years.

My copy was short and sweet on the page: “Slicked-back hair and shiny faces were the order of the day at Hollister School Wednesday. That’s when photographer Ralph Norris came to take everybody’s picture. Here’s how it was.”

Pretty girls and a crown

Ralph and I would cross paths from time to time. He was a nice guy who was fun to talk with. I don’t think we ever exchanged any heavy thought, but I do owe him big for one piece of advice he gave me.

Covering Miss Rutabaga or something

He was the official photographer for some local pageant. I don’t remember if it was Miss Athens County or Miss Rutabaga or whatever. All I know is that it involved pretty girls and a crown. I went to the swimming pool to shoot the bathing suit competition. Hey, newspaper photographing is a tough job.

Now that I think back, I don’t know how I got the pageant assignment. That had boss Bob Rogers written all over it. He must have been out of town.

Anyway, Ralph pulled me over to the side and said, “It’s become kind of a tradition for the girls to throw me in the pool after I take the group shot, so you might want to be prepared to get wet – you know how all those photographers look alike – or to beat feet while they’re distracted by me.”

I managed to get a shot of him making a big splash, then exited quickly.

I should go look for those negatives

Now that I think of it, I need to go digging for those negatives. To look for Ralph, of course.

 

1965 Sophomore Picture Day

It wasn’t the start of the school year until Paul Lueders showed up to take homeroom photos for The Girardot. The first step in this herding of cats was for him to size up where everybody was going to sit and stand. He was the consummate professional who never got flustered nor lost his patience. I’ve shot enough group photos to know that’s not easy. (Click on any photo to make it larger.)

Everybody look here

He’s making sure he can see every face. Girardot staffer Marcia Maupin, at right with the clipboard, is trying to get the names nailed down.

Moment of Truth

This is where the wizard disappeared behind the curtain to work his magic. His use of large-format film – probably 4″ x 5″ in this case, was one of the reasons his photos were so sharp and clear.

I apologize for all the scratches and spots on these photos. Time and storage hasn’t done the film any favors. I decided it was too damaged to try to repair everything.

Sophomore students

I actually have names for the photos for a change. If there are any errors, blame Marcia Maupin. This is the photo that appeared in the 1965 Girardot.

Other stories about Lueders Studio

 

 

 

Paul Lueders

After I ran the piece on Lueders Studio the other day, Son Matt sent me a message that he was pretty sure he could put his hands on a photo that he had taken of Paul Lueders after he had taken Matt’s photo (below). Indeed, he did. After the formal portraits were taken, Mr. Lueders gave us a tour of the studio and sat around talking shop with us for about an hour.

This portrait of a Master Photographer, taken by Matt when he was about 15, does a great job of capturing the informal, laid-back style of one of the best photographers I’ve ever known. He’s relaxed, surrounded by his work, and his hands are a blur as he gestures to make a point.

Photographer Matt

Matt and his brother, Adam, are decent shooters. Both won national awards in Boy Scout photo contests and local competition. Fortunately, their geek genes were stronger than their photography genes and they decided to pursue photography as a hobby, not a profession.

Lueders Studio, 427 Broadway

When I ran photographs of a doctor’s office at 714 Broadway, several readers commented that the building looked a lot like what used to be Lueders Studio at 427 Broadway. I don’t know if they were built by the same person, but they were constructed in the same Spanish Revival style. I think the bricks above must have been painted, because I remembered the building as being more the same shade as the Wilson/Estes office. [Click on any photo to make it larger.]

Everybody was shot by Frony and Lueders

I once wrote that there’s probably nobody who lived in Southeast Missouri between 1927 and 1986 who hadn’t had his or her picture taken by One-Shot Frony. You could say almost the same thing about Lueders Studio, which spanned an even longer period of time. There were other photos studios in that era, but Lueders was the one our family and Central High School turned to document students, engagements, weddings, anniversaries and other special occasions.

Here’s a description from SEMO’s Special Collections website: The Lueders Studio Collection spans seventy years of commercial photographic work by Herbert Lueders, and his sons, Paul and John. Herbert Lueders opened his studio at 427 Broadway Avenue in Cape Girardeau, Missouri, in 1925. A distinguished photographer, Herbert Lueders won 18 merit awards from the Professional Photographers Association of America for his portrait work. H. L. Lueders’ oldest son, Paul, began the study of photography with his father at the age of eight. Paul joined his father’s studio after returning from World War II, eventually taking over operations and running the studio until his death in 1995. John Lueders, younger brother of Paul, worked for thirty years as the business manager for the studio, as well as a portrait printer and photo retoucher. 

I’m pretty sure some of my baby pictures were taken by Lueders, but I didn’t have time to dig them out to check for his usual mark. The picture above was taken when Lila Perry was officially added to the family. It must have been taken after we got engaged in December of 1968, but before our wedding in June of 1969, because I don’t see a wedding ring on my left hand.

Lila’s wedding photo

Lila thinks this is the best photo that was ever taken of her. Paul Lueders was a perfectionist. He didn’t like the way her dress fell and waiting for her to grow taller wasn’t an option, so he had her stand on a couple of Sagamore yearbooks (If you look closely, you can barely see them in the photo.

I feel a little guilty about reproducing these photographs. I still cringe when I think about a visit Jim Stone and I made to the studio one afternoon, probably to pick up our senior pictures. Jim was his neighbor, so he had the nerve to ask Mr. Lueders if we could borrow the negatives to make some prints. I know now how much of a faux pas that is: studios make their living off reprints.

Instead of throwing us out of the studio, he diplomatically said, “I’m very particular about the way my photographs are printed, and I don’t let anyone else make prints of the negatives because my reputation is on the line.”

Our photo as a couple

When we made a pass through Cape in 1971, we stopped to have an updated portrait done. Mr. Lueders must not have had many people to talk technique to, because I remember him showing me more about large format photography than I ever saw in classes at Ohio University. Photos like ours and school photos were the bread and butter, but he also wanted to pull out dye transfer color that he had shot of Cape landmarks. He was proud of his work, for good reason.

Back for a family portrait

In 1985, when Matt was 10 and Adam 5, it was time for an updated shot. These copies on a computer screen don’t do the original works justice. I’ve spent enough hours in the darkroom to know how hard it is to get the tonal range that Mr. Lueders did. He could hold detail in the darkest black and the whitest white.

After we moved to Florida, we posed for a local studio that had a reasonable reputation. When we went to pick up the prints, I told the photographer that they weren’t acceptable, then I went to get some Lueders photos to show him what a REAL portrait should look like. He reshot the photos, but I could tell that he would never be able to come close to the quality I grew up with in Cape. Those were the last studio portraits we had made.

Adam’s last Lueders photo

This must have been taken in 1990, when we took our Great Western Vacation trip. The date’s not written on the back, but Lila guessed Adam was about 10, because that’s about when he started playing baseball. These were the first – and only – color photos we had made there. To be honest, I prefer the black and white.

Matt’s photo

Matt’s about 15 in this photo. Where Adam was into sports, Matt was interested in photography (and pretty good at it. Both boys won national photo contests).

When I heard that Mr. Lueders had died, I  was afraid that a huge chuck of the region’s history could be lost, based on my experience in southern Ohio where I tried to track down the film of several old photo studios. In every case, the files had been consigned to the landfill.

That’s not unusual. I found these old glass negatives being used as window panes in a Perry County building in Frohna in 1966.

Lueders photos to be preserved

It was a great relief to hear that the Lueders photographs have been acquired to be part of  Southeast Missouri State University’s Special Collections and Archives Digital Collections. The really neat thing is that they are putting the photos online.

The website says, The Lueders Studio Collection is a “who’s who” of Southeast Missouri and the surrounding region, containing approximately 75,000 images of local people, families, politicians, businesses and events. While the Lueders Studio specialized in portrait photography, they also hired out for advertising work and photography related to insurance claims.

The photographs in the digital collection represent the studio’s commercial photography work, not portraiture.  Interior and exterior views of Cape Girardeau businesses in the mid-twentieth century are represented here, along with street scenes, images of downtown floods, churches and schools, events and community groups.

If you enjoy seeing the photos on this blog, you’ll REALLY enjoy seeing the wide range of photos in the Lueders Collection.

I’m sure we’ll be revisiting Lueders Studio again. Somewhere I’ve seen photos of Paul Lueders when he and Dad were in Central High School’s Kodak Club in the 1930s.

 

Copyright © Ken Steinhoff. All rights reserved.