Don’t Stare at My Mother’s Arm

Liberty with the truth warning: there may be some parts of what you read next that might not exactly be lies, but they stretch the truth to the point of snapping. [The story was originally written to promote the Convention Bureau’s Storytelling Festival.]

What’s the matter with her arm?

Mother couldn’t figure out why my brother Mark’s friends always looked at her funny. They’d appear to be staring, then glance away quickly when she looked at them.

She found out later that Mark had told them, “Don’t stare at my mother’s arm, she’s self-conscious about it.”

“What’s the matter with your mother’s arm,” they’d ask.

It’s a long story

Here’s how he tells it in (mostly) his own words:

After Dad died and all of us boys scattered all over the country, Mother got a little lonely. She was okay financially, but she wanted to do something a little different to keep busy, something that would let her see the sights, be around other people and make herself feel useful.

She was a cook on a riverboat

She decided to work as a cook on a towboat, The Robert Kilpatrick. She worked 20 days on and got 20 days off.

She had her own small utility boat that was kept on the barge on a hoist.  When she  ran low on supplies, she would have the captain radio ahead to the nearest town and give them the “grocery list.”  As they came close to the town, they would lower her boat into the water. She would take off, load up the supplies (the store would meet her at the river with them), and then she’d floor it to catch up with the tow.

One day as the tow was being broken up and put into the lock and dam (modern day tows now “push” as many as 30 barges at a time and dams/locks were not designed to accommodate more than eight at a time, two abreast),  she decided she wouldn’t launch her own boat, she’d stay with the tow. She was getting ready to climb a steel ladder from the the barge  to the top of the lock so she could board a waiting cab to go into town for the supplies when something went terribly wrong.

Tragic accident took her arm

Suddenly the barges shifted in the lock and her arm was caught between the edge of the barge and the concrete dam wall. It pinched it clean off at the elbow.

Tragic, yes, but not enough to keep our mother down.  No  sir.  In fact, some of the guys in the machine shop – the burly  guys who ate steak for breakfast and kept the massive engines working  down below – fashioned her a couple of custom “snap on” tools that were a little more functional than the basic hook that was all insurance would cover.

One was a spatula that could easily turn extra large omelets (and used to scrape the grill to keep food from sticking to it); the other was a meat fork with three tines.  Two tines faced the the same direction so she could pick up meat from the grill, and one tine was bent 90 degrees in the other direction, so she could open and close the oven doors with it.

OSHA said somebody’s gonna get an eye poked out

OSHA thought the custom tools created a hazard to workers who might get impaled if the boat hit rough water and caused her to stumble, so she quit rather than kowtow to bureaucrats.

She became a Happy Hooker

Her next job was working for the city of Cape Girardeau as a wrecker driver.  She drove a tow truck all over town looking for scofflaws who had outstanding parking tickets so she could impound their vehicle.  Nobody ever tried to  stop her after she raised her artificial arm and clicked her custom tool fingers at them like mad magpies.

Prosthetic technology progressed to the point where she decided to give up the hook and custom attachments for an arm that was covered in soft plastic that was almost lifelike. The doctors did a great job of matching her skin tone, too.

She got so she’d play along

When Mark’s friends threw him a surprise 50th birthday party, Mother, Son Adam and I showed up. When she noticed some of the guests giving her arm a quick glance, she pulled her hand up into her sleeve so it looked like she had left her prosthesis  at home.

“You can’t take that slot machine”

Storytelling is in our genes.

My mother’s family owned several businesses in Advance at one time or another. One was a tavern that had a few slot machines to bring in some extra (if illegal) income. Her parents had to leave one afternoon and left her in charge. She was all of about 13 years old.

It must have been an election year, because the place suddenly filled with law enforcement officers who were going to confiscate the slot machines as being illegal gambling devices. Mother knew that one of the machines was full of money, so she stood up to the sheriff and said, “You can’t take that one. It’s broken. If it doesn’t work, it’s no more a gambling machine than that bar stool.”\

“Well, little Missy, I guess you’ve got me there,.” the sheriff conceded.

They left it behind.

Cape Girardeau Then & Now

Some time between graduating from Central High School in 1965 and leaving for Ohio University in 1967, I hopped on a train in Cape Girardeau to go to a National Press Photographers Association Flying Short Course. I heard two things at that seminar that influenced my photography from then on.

Ken Heyman and This America

A photographer named Ken Heyman illustrated This America, A Portrait of a Nation, by President Lyndon B. Johnson. At that stage in my career, I thought any photograph that was published in a book had to be great. Looking back at it now, I know that some of the photos WERE iconic, some were solid images and some were merely pedestrian, at best.

Two photographers were sitting in front of me. One turned to the other and whispered, “I could shoot pictures better than that.”

His buddy responded, “Yeah, but the difference between him and you is that HE actually did it.”

Tom Neumeyer actually did it

I’ve never forgotten that lesson.

When I got back to Cape a couple of weeks ago, those the words I heard at that seminar 40-plus years ago came flooding back at me when I heard that some guy named Tom Neumeyer was holding a book signing for his new photo documentary book, Cape Girardeau Then & Now.

It’s a collection of 120 vintage photographs paired with what you would find at those locations today.

I COULD HAVE done that book. TOM did it.

When we went to Cape’s new public library (which is really nice, by the way) and I saw framed photos from the book hanging on the wall, I knew I had to have a copy.

Small world department

The person who took my money was Carolyn Penzel, another member of the Class of 65.

When I got up to Tom to have my book signed, he recognized my name and asked how [Family nickname my wife has been trying to leave behind for almost half a century] was.

Just about that time, Don and Marty (Perry) Riley, my in-laws walked in.

Life’s like a pinball game

I’ve always admired folks who know what they are going to do and go after goals in a straight line. My career path has been more like a pinball game where outside influences bounced me all over the place. I was reminded of that when I ran into a some people who had a major part in my life as a newspaper photographer.

I saw my Mother, Mary Steinhoff, (left) talking with Jo Ann Bock, who is a multifaceted writer and former teacher who was married to Howard Bock. When I came to Central High School as a freshman, Mr. Bock knew I had an interest in photography. He invited me to join The Tiger and Girardot photo staffs and taught me how to process film and make prints. When he died in May 2009, I discovered many things I never knew about the man.

I was admiring Tom’s photos on the wall when a man walked up and said, “I used to be Gary Rust.”

“I used to be Ken Steinhoff,” I countered.

Gary Rust, now a newspaper magnate, got me my first newspaper job. John Hoffman, the editor and publisher of The Jackson Pioneer had been in an auto accident that severely injured him and and killed his wife. Gary knew he needed help in the office, so he recommended me.

I think the recommendation was more because I had been dating the granddaughter of the local head of the Republican Party, and I was a rabid Barry Goldwater supporter, than it was for any journalistic prowess.

By the time I left the paper, I learned how to be a reporter, photographer, typesetter, layout editor, photo engraver… all for the munificent sum of $75 every two weeks.

There IS a market for photo books

Years ago, I helped illustrate a book, New Burlington: The Life and Death of an American Village. The writer encouraged me to turn my photos into a book of its own, but I was told “picture books don’t sell.”

I’m glad to see that Tom is proving an exception to that rule. So many people bought his books that they had to scurry out to the car to bring in extra boxes.

Where to find Then & Now

I see copies of his book all over Cape. Here’s a note he sent me with a list of places to find it.

  • Arts Council of Southeast Missouri
  • Annie Laurie’s Antiques
  • Back Porch Antiques
  • Broadway Books and Roasting
  • Convention & Visitors Bureau
  • Crisp Museum
  • Cup’N’Cork
  • Grassroots BMW
  • Lang’s Jewelry
  • Mississippi Mud House
  • Neumeyer Photography
  • Old Town Cape
  • Renaissance
  • SEMO University Bookstore
  • Somewhere in Time Antiques
  • Stev-Mark

Tom said Dr. Frank Nickell’s website has an order form to download.

What was that second thing?

I mentioned that I came away from that seminar in Peoria with two life-defining messages.

The second was from Louisville Courier-Journal photographer Bill Strode who talked about photo ethics. “If I set up a photograph and there are only two people in the room – me and the subject – then that’s two too many people in the world who know that I’m a damned liar.”

Gallery of book signing photos

One of the nice things about doing this as a blog instead of as a newspaper story is that I won’t get in trouble if I don’t identify all of the people in the pictures. Click on any photo to make it larger, then click on the left or right side of the image to step through the gallery.