“Wind Tugging at My Sleeve”

Kaskaskia Cemetery 11-03-2013On the way to catch her plane in St. Louis, Curator Jessica and I took a side trip over to Kaskaskia Island. About two-thirds of the way to what was left of the town, we spotted a cemetery out in the middle of the farmlands. With a little searching, we found a road that took us to Kaskaskia Cemetery. (The name “Cemetery Lane” helped.) (Click on the photos to make them larger.)

It was a cold, windy day that didn’t lend itself to wandering around much. When we got back to the car, I told Jessica that this was exactly what Gordon Parks was talking about in his poem In This Huge Silence, then I called the post up on my iPad. I like it well enough that it’s worth repeating.

In this huge silence

The prairie is still in me,

in my talk and manners.

I still sniff the air for rain or snow,

know the loneliness of night,

and distrust the wind

when things get too quiet.

Having been away so long

and changed my face so often,

I sometimes suspect that this place

no longer recognizes me—

despite these cowboy boots,

this western hat and

my father’s mustache that I wear.

To this place I must seem

like wood from a different forest,

and as secretive as black loam.

This earth breathes uneasily under my boots.

Their odor of city asphalt

doesn’t mix well with the clean smell

of wild alfalfa and purple lovegrass.

It puzzles me that I live so far away

from our old clapboard house

where, in oak tree shade,

I used to sit and dream

of what I wanted to become.

I always return here weary,

but to draw strength from

This huge silence that surrounds me,

knowing now that all I thought

was dead here is still alive,

that there is warmth here—

even when the wind blows hard and cold.

“I lift my eyes up to the hills”

Kaskaskia Cemetery 11-03-2013Shortly after we got back on the road, I noticed the normally effervescent Jessica was unusually quiet and she had a strange, distant look on her face. A few weeks later, I sent her an email asking if she remembered that moment and would be willing share what was going through her mind.

Here is her response:  I don’t mind sharing what I felt that day, and still feel now, although it’s difficult for me to analyze why I reacted so strongly…

Perhaps it was the perfect storm of circumstances; I wonder if I had been there alone if I would have reacted the same way. I apologize in advance that this may be disjointed and difficult to follow, but so is the inside of my head, sometimes.

 I think the word that first came to my mind when walking through the cemetery was desolate, but I didn’t mean it in terms of death, at least not human death. I remember feeling that the world was very much alive there, almost relentlessly so, with the wind constantly tugging at my sleeves. I think the desolation I felt was more from the loneliness of the spot.

Kaskaskia Cemetery 11-03-2013Here was this wind-whipped cemetery in the middle of harvested fields on a gravel road with no houses in sight. I remember being amazed at how recent some of the graves were, and I wryly wondered if there was anyone left in Kaskaskia to bury or to mourn.

 Impermanence and mortality are not usually things that bother me, but I felt the weight of those very strongly in that place. I also felt exposed, obviously emotionally, but physically, too. That landscape was so featureless (I know not literally, there was a river channel and a few trees) that I felt as if there was no shelter from it. It was like it forced itself upon me, demanding and unrelenting.

 This is why the opening lines of Psalm 121 have always spoken to me: “I lift my eyes up to the hills – where does my help come from?” Hills and mountains are comforting to me in their strength and solidity; flat just seems barren. So, wandering around in this place made me feel like it was the cemetery at the end of the earth. That photograph is beautiful, by the way. When I see it, that loneliness comes back.

 Now to Gordon Parks’ poetry. I think that poem was the perfect example of words capturing emotions that, at the time, I really couldn’t define. I think I was under control until I read the line about Parks having been away so long and changed his face so often that his home no longer recognizes him.

A fortress penetrated

Photos taken around New Burlington OH for book c 1971I wanted to pry into her subconscious because I recognized what she had experienced was the same overwhelming feeling I shared with you two years ago after shooting a farm auction. I’m pretty good at walling myself off from my subjects, but sometimes the fortress gets penetrated.

We’re back to normal

Jessica Cyders in St. Genevieve MO 11-03-2013Her funk didn’t last too long. By the time we got to St. Genvieve, she was her normal perky self. She might have momentarily lost her composure on Kaskaskia Island, but, fortunately, she didn’t lose her head in St. Gen.



Reminds me of the 1930s

St Marys MO 9No, despite what some folks think, I wasn’t around then, but, thanks to the photographers from the Farm Security Administration, we know what the country looked like during the Depression and the Dust Bowl days.

I opened an envelope labeled “St Mary,” thinking I would find the church and school located on Sprigg Street. Much to my surprise, I found images of the notorious speed trap located between Perryville and St. Genevieve on Hwy 61. My best guess is that it was taken in 1966, but it looks like something from 30 or 35 years earlier. Click on the picture to make it larger. I can make out the name “Clem’s” on the sign, but the rest isn’t readable. What I find striking in these days of digital photography where you bang off hundreds of photos without thinking is that I thought the subject worthy of only one shot.

I’m going to hold off publishing most of the pictures until I can shoot contemporary photos on my next trip to or from St. Louis at the end of January.

I’ve tried to emulate the FSA photographers

This image jumped out at me, though, as something that could have been taken by one of the 22 FSA photographers working for Roy Styker between 1935 and 1944. I grew up trying to emulate photographers like Gordon Parks, Dorothea Lang, Walker Evans and Arthur Rothstein. If the names don’t mean anything to you, check Google images for some American icons.

In looking for that, I stumbled across a catalog of images available from the Library of Congress. Some of the topic include Wright Brothers Negatives; Popular Graphic Arts, World War I and Spanish American War Posters; 2100 Baseball cards from 1887 to 1914, and Civil War Glass Negatives and Related Prints.