A Home Dies

I hate fires. Maybe it’s because I’m a pack rat, but I hate to see everything that someone owns go up in smoke and flames. Even if the owners have insurance, the most precious things can’t be replaced.

I’m going to be sneaking away from Southeast Missouri more frequently. The Lutheran Heritage Center and Museum in Altenburg has invited me to speak on the topic of regional photography at a conference this fall, so I’m digging through stuff that I’ve taken outside Missouri. When I publish here, I’ll try to find something to say about it that will still be interesting.

The Reid Fire

The January 6, 1969, front page of The Athens (OH) Messenger contained the fire shot at the top, along with a short news story with the 5Ws and H basics. On what we called The Picture Page, I ran three other photos.

A Home Dies

Sometimes it’s harder to write a short caption that it is a long one. I hate to think of how many times the floor around my desk was covered up with wadded-up carnations of false starts.

This wasn’t one of those nights. When I got back to the office, I slid a piece of copy paper into our battered old manual typewriter and banged out, “The Reids watched their home die last night. A man at the fire said nobody was hurt. He was only partly right. -30-“

I don’t know if that was good journalism, but it was how I felt sitting there smelling of smoke and still shivering from the cold, grateful that I had a house to go home to.

How do you cover a fire?

Hang around a fire station long enough and you’ll hear a firefighter use the term “good fire.” He or she doesn’t mean that they enjoy seeing someone’s home or business burn. What they mean is that “a good fire” is one that tests them and their abilities.

Photographers use the same language. That doesn’t mean that you don’t ache for the people you are photographing; it just means that you have to channel that empathy towards creating an image that will bring that tragedy home to the reader. You exist in a strange gray area where you aren’t a spectator, but you also aren’t a participant. You are the eyes of the community.

I tried to be as unobtrusive as possible. In this case, I shot available light so I wasn’t popping a flash in their faces and I used a medium telephoto lens so I could stay back 15 or 20 feet.

“I was busy trying not to die”

I tried to salve my conscience by telling myself that my photographs might cause the community to rally to the family’s aid. After the fact, I’ve talked with victims of tragedies to see if my presence caused them any distress.

I photographed a highway patrolman being worked on by medics after he had been shot at a traffic stop, then I requested the assignment to cover his recuperation. On our first meeting, I took along a photo of him on the ground. “Did it bother you when I took this photo?” I asked him.

“Actually, I was so busy trying not to die that I didn’t even notice you were there,” he said with a twist of a smile.

A salute to the chimney savers

Small rural fire departments made up mostly or all of volunteers are sometimes called “chimney savers” because that’s often all that’s left at the end. That’s not the fault of these guys who put their lives on the line. By the time the volunteers get to the station, crank up the truck and arrive on the scene, a lot of time has passed. The three and four-minute response times we’re used to in cities might be 15 to 30 minutes in the country. On top of that, it’s unlikely that there will be a fire hydrant nearby. Water has to be relayed from where there is one or a pond or stream has be be drafted for a water supply.

If I got there about the same time as the truck, I’d set my camera aside to help the firefighters pull hose and get set up. Part of that was so they’d be more likely to help me get my story and photos; part of it was because that’s what you do in a small town. I also served as an extra set of eyes for them. Because I wasn’t actively involved in squirting wet stuff on red stuff, I could warn them of power lines, signs of a flashover or a wall or roof that looked like it might collapse.

Photo gallery of a fire

Here’s a selection of photos from that cold January night. It’s been 43 years since I last looked at these pictures. I see things in them today that I didn’t see when I edited the film originally. After I had made my selection of the two family photos that ran in the paper, I tuned out the other frames. I didn’t realize until 2012 the range of emotions I had captured.

I’m glad I’m not chasing sirens anymore. It’s been a long time since I’ve used the phrase “good fire,” too. Click on any photo to make it larger, then click on the left or right side of the image to move through the gallery.

 

1963 Boy Scout Pre-Camporee

It’s Scout Week, so it’s an appropriate time to dredge these up. Some of these photos are of are men and boys I recognize being in Trinity Lutheran School’s Boy Scout Troop 8. The negative sleeve said they were taken at the 1963 Pre-Camporee. I can’t quite place where the event was held. Maybe someone else can clue me in.

I recognize a few of the boys. Two who were my age were Joe Snell and Ronald Dost.

Stan Snell, Harry Ruesler , Ralph Haman

Three of the adult leaders were Stan Snell, Harry Ruesler and Ralph Haman.

Loading them up

Dad (L.V. Steinhoff),  left, loads up a batch of boys into his pickup. Clarence Schade is on the right.

A double exposure

Something was wrong with this photo. A closer look disclosed that it was a double exposure: two photos taken on the same frame of film. That’s pretty tough to do with most cameras because you cock the shutter for the next photo when you advance the film. About the only only way you can do it by accident is to load the film in the camera twice. (There’s another way, but you REALLY have to want to do it.)

It dawned on me, then, that in 1963 I was still using a Kodak Pony 135 camera. I had to go searching for a manual on line to refresh my memory. As soon as I saw it, it all came flooding back.

It was designed for folks who didn’t know much about photography, but it still required you to set your shutter speed, aperture and distance. On top of that, you had to remember to cock the shutter by pushing down on a lever on the front of the lens. After you had taken the photo, you had to turn a knob on the top of the camera to advance the film. If you forgot to do that and just cocked the shutter, you could take a double exposure like this one.

Scout Executive Paul Berkbigler

I wrote about Mr. Berkbigler earlier.

Photo Gallery

Click on any photo to make it larger, then click on the left or right side of the image to move through the gallery.

 

Trinity Lutheran School Kindergarten circa 1952

This was taken in Trinity Hall of the Trinity Lutheran School kindergarten class at its Christmas party. If I was five when I was in kindergarten, that would mean this photo was taken in about 1952. Click on it to make it larger.

I can’t identify everyone in the photo, but I see, in no particular order, Mike Miller, David Hahs, Jerry O’Connell, Judy Schrader, Della Heise, John Hilpert, Jim Lorberg, Patty Haas, Ronald Dost and Kent Verhines. Apologies to everyone I left out or whose name I mangled.

Oh, yes, I’m in there, too.

Transformers, AM and FM

Looks like someone is getting a new transformer or other high-voltage piece of equipment. These photos were on the same roll as the Scott City fire truck, so they may have been taken somewhere around there, but I don’t know that for sure. Click on any photo to make it larger (but don’t look too closely. This film is scratched up pretty badly).

Telecommunications: squirting electrons

I spent the last dozen years of my newspaper career as the telecommunications manager. That sounds a little odd, but telecom is all about managing projects helping people communicate. It was pretty easy to understand: you squirt electrons in this end and they come out way over there. I had installed enough two-way radios to have that principle down pat.

Lucky for the paper, there were two guys already in the department who knew what they were doing. My Number Two guy, Mike, had two main responsibilities: keep the phones running and kick me under the table if I started to say something dumb in a meeting.

My most important lesson came one night when the building’s electrical crew had to kill all the power to make some repairs. We had a telephone switch that we called The Cash Register because it handled the classified and circulation department call centers. It was an ancient box that was so old we couldn’t get new parts for it. We had to go out on the secondary market for used and abused stuff that had a failure rate of about two out of three.

The Cash Register didn’t wake up

Old equipment runs fairly well as long as you don’t shut it down. Unfortunately, when it came time to wake up The Cash Register when the power came back on, it decided that it LIKED napping. I was there that night, not because I was of any help, but just as a sign of support to my troops. About four in the morning, two hours before the call centers were supposed to open, I asked Mike the question that all techs hate to hear: “Any idea what the problem is?” The obvious, unstated answer is, “No. If I knew how to fix it, we’d have all been in bed two hours ago.”

Mike was the calmest, best troubleshooter I’ve ever seen. The world could be blowing up around him and he’d keep working through the checklist until he found out which hamster needed kicking.

It boils down to AM and FM

He turned to me and said in quiet, measured tones and with great patience, “What we have here is AM and we need FM.”

We’re in my arena now. This is language I understand. “Amplitude Modulation instead of Frequency modulation? Those are radio terms. What does that have to do with a phone switch?”

“No,” he explained. “What we have is AM – Almost Magic. What we need is FM – Freaking Magic (except he didn’t say “freaking).”

That’s the night everything there was to know about telecommunications and most of life in general became crystal clear. It all boils down to AM and FM.

Can you keep it going another year?

The first year I was telecom manager, I went into a capital budget meeting with a request to replace The Cash Register. Management asked if I could milk one more year out of it. Mike, unfortunately, wasn’t there to kick me under the table, so I said we’d try.

The second year, I went into the hearing with the same request, only more urgently worded. When management asked the inevitable question if I could keep it running one more year if they increased my maintenance budget I was ready.

“No, in fact, you can cut the budget to 25 cents if we don’t replace The Cash Register. That’s about enough to buy one bullet. It’s gonna be a toss-up whether I use it on the switch or me if it hiccups one more time.” They gave me the quarter-million bucks I’d asked for instead of two bits, so life was good.

Staying away from sparky stuff

Our universe was divided into Low Voltage and Sparky Stuff. Management must have known about my limitations because they put me in charge of the low voltage data stuff. Oh, sure, you might get a little 90-volt buzz if you happened to be holding onto a telephone pair if someone happened to be calling it, but that’s minor compared to what the Sparky Guys worked with.

From time to time we’d have to venture into the building’s power vaults. Newspaper presses and elevators and the like take a lot of juice, so our switch gear was almost this big. When you’re dealing with stuff like this, you don’t just push a button to connect to the outside world. We’d watch the Sparky guys pull down down a big lever attached to springs like this, then they’d beat feet to get out of the vault. After a few seconds, the spring would fire the connectors into the grid  with an impressive CRACK!! and the smell of ozone. The spring-loading was to minimize the  time and distance that an arc would jump. A human couldn’t do it fast enough.

After that impressive display, we’d slink back to our safe telephone switch room to see if we could find someone who could be persuaded to hold the two ends of a phone cable while somebody in another room dialed the phone number. Hey, even low voltage guys have to have fun.